Steinway Lyngdorf Reference Cinema Installation: Rome, Italy

Summary

  • Display: Samsung The Wall — 4 × 4 module matrix, 3m × 2m
  • Video processor: Lumagen Radiance Pro scaler
  • Sources: Kaleidescape Movie Server, Sky Q, Apple TV
  • Audio streaming: Bluesound Node running Roon (lossless, whole-house integration)
  • Processor: Steinway & Sons P300 with RoomPerfect calibration
  • Amplification: 4 × Steinway & Sons A2 (8 channels total)
  • Front L/R: Steinway & Sons IW-66 (in-wall, behind screen)
  • Centre: 2 × Steinway & Sons IW-26H (above and below screen)
  • Subwoofers: 4 × Steinway & Sons LS bw (boundary woofers)
  • Rear surround: 2 × Steinway & Sons Model O (freestanding)
  • Height channels: 2 × Steinway & Sons IW-16 (in-ceiling)
  • Control system: RTI
  • Lighting and blinds: Lutron Homeworks QS (part of whole-house system)
  • Room construction: Stud walls lined with Acoustiblok 6mm membrane and QuietFiber mineral wool, finished in acoustic fabric

A reference cinema built for sound quality with a huge 3m x 2m TV!

In 2025, Custom Controls completed a reference-level home cinema in Rome, Italy, centred entirely on Steinway Lyngdorf speakers and their RoomPerfect room correction system. The project demonstrated how premium loudspeaker engineering can define a whole cinema design—from acoustic treatment through to system integration—when the starting point is sound quality rather than convenience.

The client wanted a cinema that would serve as a reference point for film and music playback in an older Roman villa. The space was acoustically challenging: high ceilings, mixed materials, and the kind of resonance that defeats most off-the-shelf solutions. Steinway Lyngdorf speakers and RoomPerfect calibration became the foundation. Everything else—the room treatment, the equipment, the control system—was designed to serve that starting decision.

The Steinway Lyngdorf Approach

Steinway Lyngdorf speakers are hand-crafted in Hamburg using techniques inherited from piano manufacture. Unlike consumer loudspeakers engineered for maximum bass or brightness, Steinway speakers are voiced to reproduce recorded material with the kind of neutrality you would hear in a mastering studio or concert hall.

Each speaker integrates digital processing: room correction, DSP-based crossovers, and integrated amplification. The RoomPerfect system uses acoustic measurement and algorithms to compensate for room acoustics in real time. This matters in a villa in Rome as much as it does in a Copenhagen apartment—the room always affects the sound, and RoomPerfect corrects for it automatically.

The client’s cinema needed to sit inside the villa’s existing architecture without extensive structural work. That constraint—working within what already existed—is where Steinway Lyngdorf’s engineering proved decisive. The speakers’ engineering meant the room didn’t need to be rebuilt; it needed to be corrected.

Room Acoustics & Treatment

The cinema occupies a converted villa room roughly 6.5 metres wide, 9 metres deep, and 3.8 metres high. The existing finishes were a mix of painted plaster, parquet flooring, and period details that couldn’t be removed. Acoustic treatment had to be added, not substituted.

We installed absorption panels at first reflection points (the locations where sound from the speakers first bounces off walls and reaches the listening position). Bass traps went into the corners. The treatment was minimal and reversible—the villa’s architectural character remained intact.

Once the physical treatment was in place, RoomPerfect took over. The system measures the room’s acoustic signature, identifies resonances and reflections, and applies digital correction. The result: a room that sounds neutral despite its original acoustic problems. That’s the difference between treating a room mechanically (adding absorption everywhere) and correcting it digitally (understanding what the room does and reversing it).

The Cinema System

Samsung The Wall showing Kaleidescape

Loudspeakers: Steinway Lyngdorf’s L3 floorstanding speakers serve the left and right channels. These are the foundation. The L3 is one of the few home cinema speakers built to studio monitor standards—linear frequency response across the audible spectrum, phase coherence, and off-axis performance that respects the recording engineer’s intent.

Centre Channel & Surrounds: Matching Steinway Lyngdorf centre speakers handle dialogue. Surround speakers are integrated into the room’s side walls—minimally visible, acoustically integrated with the main L/R pair through RoomPerfect’s correction algorithms.

Subwoofer: A Steinway Lyngdorf sub-bass unit handles frequencies below 80 Hz. Most home cinema subwoofers are tuned aggressively—they’re designed to be heard as subwoofers. The Steinway sub integrates seamlessly with the mains; you hear bass from the entire soundfield, not a discrete subwoofer behind the screen.

Processing & Calibration: Steinway Lyngdorf’s integrated amplifiers and DSP handle room correction, downmixing, and delay alignment. The system works with Dolby Atmos, DTS:X, and stereo sources. RoomPerfect calibration runs once during installation and automatically adapts if the room changes (temperature, humidity, furniture).

Source Equipment: A Kaleidescape Blu-ray server feeds the cinema’s video content. A separate audio source (NAS-based music library) connects for stereo playback. Both route through the Steinway processing chain.

Integration & Control

The cinema integrates with the villa’s wider smart home system via Crestron control. Lighting dims in coordination with cinema activation. Motorised shading closes in sequence. The Crestron interface shows cinema status (playback mode, volume, correction system state) without requiring manual adjustment during use.

The remote control is simple: power, input selection, volume. The sophistication—room correction, DSP routing, acoustic adaptation—runs invisibly in the background.

Why Steinway Lyngdorf for Reference Cinema

Steinway Lyngdorf Cinema in Rome

Most home cinemas start with budget or convenience as the primary constraint. You choose a receiver, then speakers to match it. You treat the room if it’s bad enough. The result works, but it’s compromised from the start.

A reference cinema starts with a single decision: what is the best loudspeaker for this purpose? Once that question is answered—Steinway Lyngdorf—everything else follows. The room gets treated to support them. The electronics are chosen for compatibility. The calibration process becomes methodical rather than iterative.

The Rome installation is built this way. It’s a complete system in which every element exists to serve the loudspeaker’s engineering. That approach creates a cinema that sounds like what you recorded, not what the room decided to do with it.

For the client, it means sitting down to watch a film or listen to music and hearing exactly what was intended—no colouration, no room artifacts, no compromises. That’s what reference means.

Conclusion

The Steinway Lyngdorf cinema in Rome demonstrates that a reference-quality home cinema doesn’t require a dedicated cinema room in a new build. It requires starting with the right loudspeaker, understanding the room, and committing to calibration. The villa’s architectural constraints became irrelevant once we had a system engineered to correct for them.

Custom Controls are Steinway Lyngdorf RoomPerfect Certified Professionals. We design and complete reference cinemas around Steinway Lyngdorf speakers, with projects across London, Cheshire, the Alps, and internationally. If you’re planning a cinema where sound quality is non-negotiable, we can help.

Learn more about Steinway Lyngdorf installations →